“This moment in history is about more than individual interactions between individual people. Those matter, too - it matters how you made your subordinate feel with that comment, and it matters quite a lot that the woman on the bus went home and sobbed after you groped her - but, as Rebecca Traister wrote in December 2017 on The Cut: “This moment isn’t just about sex. It’s about work.” It’s about who feels at home in the workplace and who feels like an outsider - which, by extension, dictates who gets to thrive and ascend, who gets to hire their replacements, who gets to set their children up for success, who gets credit and glory, and who gets forgotten. It’s about who feels safe in public spaces and who doesn’t. Which is to say, it’s about everything.”
“We gobble up cable news’ insistence that both sides of an argument are equally valid and South Park’s insistence that both sides are equally stupid, because taking a firm stance on anything opens us up to criticism.”
“We kept letting Adam Sandler make more movies after Little Nicky, because white men are allowed to fail spectacularly and keep their jobs.”
There’s literally an entire chapter on Adam Sandler movies that is perfection. You have to read it. Seriously, just pick this up at a bookstore and read that one chapter, if nothing else.
I loved all of her points about how there was endless discussion about The Ted Bundy Tapes when it came out earlier this year and how we debated whether this murdering monster was handsome or not. And how that same type of debate is somehow in the same arena as when people debate whether Elizabeth Warren is “likable” or not.
There’s a part in the Ted Bundy special where the judge sympathizes with Bundy and goes on a ridiculous tangent about how it’s “such a shame” that he turned out that way when he had so much potential, it’s truly disgusting to see a judge commiserate with a rapist and murderer, but it happened and it’s wild to see. “That anecdote is often held up as evidence of Bundy’s charisma - even the judge sentencing him to death was seduced by that smirk, that finger wave. But it is the most blatant, overwhelming evidence we have for the opposite. Men don’t need charisma to succeed. It doesn’t matter if men are likable, because men are people who do things, who don’t have to ask first, whose potential has value even after it is squandered.”
“Chasing likability has been one of women’s biggest setbacks, by design. I don’t know that rejecting likability will get us anywhere, but I know that embracing it has gotten us nowhere.”
Absolutely in love with the fact that she loves the movie Clue as much as I do.
I really liked the chapter that she discussed Gwyneth Paltrow’s GOOP, even if I did wish that she went in on her/the brand harder.
So in love with the chapter where she talks about South Park and its creators. I’ve always hated that show, it’s never been good, and I can’t understand who the hell would be into it. It’s never been funny, edgy, smart. Insane that it’s still on.
Maybe I’m really reading into it, but there’s a tiny part where she mentions that PETA sucks and I can’t stop all my little inside screams - it’s hard to find somewhere who dislikes all the same stuff as you.
“Men think that misogyny is a women’s issue; women’s to endure and women’s to fix. White people think that racism is a pet issue for people of color; not like the pure, economic grievances of the white working class. Rape is a rape victim’s problem: What was she wearing? Where was she walking? Had she had sex before?“
“Whenever talk turned toward solutions, the panel came back to mentorship: women lifting up other women. Assertiveness and leaning in and ironclad portfolios and marching into that interview and taking the space you deserve and changing the ratio and not letting Steve from accounting talk over you in the morning. During the closing question-and-answer period, a young woman stood up. “I’m sorry,” she said, her voice electric with anger, “but all I’ve heard tonight are a bunch of things women can do to fight sexism. Why is that our job? We didn’t build the system. This audience should be full of men.”
“Sexism is a male invention. White supremacy is a white invention. Transphobia is a cisgender invention. So far, men have treated #MeToo like a bumbling dad in a detergent commercial: well intentioned by floundering, as though they are not the experts. You are the experts. Only 2.6 percent of construction workers are female. We did not install that glass ceiling, and it is not our responsibility to demolish it.”
When talking about what men can actually do to help women: ”“Do you ever stick up for me?” sounds childish, but I don’t know that gussying up the sentiment in more sophisticated language would enhance its meaning. It isn’t fun to be the one who speaks up. Our society has engineered robust consequences for squeaky wheels, a verdant pantheon from eye rolls all the way up to physical violence. One of the subtlest and most pervasive is social ostracism: coding empathy as the fun killer, consideration for others as an embarrassing weakness, and dissenting voices as out-of-touch, bleeding-heart dweebs (at best). Coolness is a fierce disciplinarian. A result is that, for the most part, the only people weathering those consequences are the ones who don’t have the luxury of staying quiet. Women, already impeded and imperiled by sexism, also have to carry the social stigma of being feminist buzzkills if they call attention to it. People of color not only have to deal with racism; they also have to deal with white people labeling them “angry” or “hostile” or “difficult” for objecting. What we could use is some loud, unequivocal backup.”
“I know there’s pressure not to be a dorky, try-hard male feminist stereotype; there’s always a looming implication that you could lose your spot in the boys’ club; if you seem too opportunistic or performative in your support, if you suck up too much oxygen and demand praise, women will yell at you for that, too. But I need you to absorb that risk. I need you to get yelled at and made fun of, a lot, and if you get kicked out of the club, I need you to be relieved, and I need you to help build a new one.”
The entire chapter about the complications with Joan Rivers is such a great one.
“You can hate someone and love them at the same time. Maybe that’s a natural side effect of searching for heroes in a world not built for you.”
Okay, so the only thing that we strongly disagree on is her previous love for Adam Carolla. Always hated that man.
““Common sense’” without growth, curiosity, or perspective eventually becomes conservatism and bitterness.”
“There are pieces of pop culture that you outgrow because you get older. Then there are pieces of pop culture that you outgrow because you get better.”
“Art has no obligation to evolve, but it has a powerful incentive to do so. Art that is static, that captures a dead moment, is nothing. It is, at best, nostalgia; at worst, it can be a blight on our sense of who we are, a shame we pack away. Artists who refuse to listen, participate, and change along with the world around them are not being silenced or punished by censorious college sophomores. They are letting obsolescence devour them, voluntarily. Political correctness is just the inexorable turn of the gear. Falling behind is preventable.”
Talking about Ricky Gervais:” “People see something they don’t like, and they expect it to stop,” he said. “The world is getting worse. Don’t get me wrong, I think I lived through the best fifty years of humanity, 1960 through 2015, the peak of civilization for everything. For tolerances, for freedoms, for communication, for medicine! And now it’s going the other way a little bit.” “Dumpster fire” has emerged as the favorite emblem of our present sociopolitical moment, but that Gervais quote feels more apt and more tragic as a metaphor: the Trump/Brexit era is a rich, famous, white, middle-aged man declaring the world to be in decline the moment he stops understanding it.”
“Adam Carolla isn’t angry because he’s being silenced; he’s angry because he’s being challenged. He’s been shown the road map to continued relevance, and it doesn’t lead back to his mansion. He’s angry because he’s being asked to do the basic work of maintaining a shared humanity or else be left behind. He’s choosing the past. Gervais and Carolla are not alone in presenting themselves as noble bulwarks against a wave of supposed leftwing censorship. (A Netflix special, for the record, is not what “silencing” looks like.)”
Talking Louis CK: “Less than a year after his vow to retreat and listen, CK made the laziest and most cowardly choice possible: to turn away from the difficult, necessary work of self-reflection, growth, and reparation, and run into the comforting arms of people who don’t think it’s that big a deal to show your penis to female subordinates. Conservatives adore a disgraced liberal who’s willing to pander to them because he’s too weak to grow. How pathetic to take them up on it.”
“Like every other feminist with a public platform, I am perpetually cast as a disapproving scold. But what’s the alternative? To approve? I do not approve.” - This is probably my most favourite line in the entire book
“Not only are women expected to weather sexual violence, intimate partner violence, workplace discrimination, institutional subordination, the expectation of free domestic labor, invisible cuts that undermine us daily, we are not even allowed to be angry about it.”
“I’d been taught that when ordinary people try to do activism, they look stupid. Of course now I know that there is no effective activism without the passion and commitment of ordinary people and it is a basic duty of the privileged to show up and fight for issues that don’t affect us directly. But maintaining that separation has served the status quo well. It keeps good people always just shy of taking action. It’s tone policing. It’s the white moderate. But it’s changing.”
“Diet culture is a coercive, misogynist pyramid scheme that saps women’s economic and political power.”
Definitely the best thing I’ve read all year. GO BUY!
