“Through more than 250 objects dating from the seventeenth century to the present, The Costume Institute’s spring 2019 exhibition explores the origins of camp’s exuberant aesthetic. Susan Sontag’s 1964 essay “Notes on ‘Camp’” provides the framework for the exhibition, which examines how the elements of irony, humor, parody, pastiche, artifice, theatricality, and exaggeration are expressed in fashion.”

— The Met

At least once a year, I make my way over to The Met. Partially to see the new rooftop piece and partially to see the new fashion exhibit. And this year’s costume exhibit is vibrant as hell, maybe even better than the exhibit from a few years back Manus x Machina (that I really liked). Here are my favourite pieces:

Cristobal Balenciaga, Evening Dress, autumn/winter 1965-66, dress of pink ostrich feathers and pink silk-thread dots; sash of pink silk satin

Manish Arora, Ensemble, spring/summer 2009, top of pieced polychrome silk-synthetic plain weave; carousel skirt of pieced polychrome silk-synthetic plain weave and gold and silver silk-Lurex plain weave with orange crystals, polychrome palettes, see… — Manish Arora, Ensemble, spring/summer 2009, top of pieced polychrome silk-synthetic plain weave; carousel skirt of pieced polychrome silk-synthetic plain weave and gold and silver silk-Lurex plain weave with orange crystals, polychrome palettes, seed beads, cotton-and-metal thread, and vinyl appliqué

It’s such a colorful collection and it’s really just fun fashion, not terribly pretentious or ridiculous. Definitely go see it if you’re in New York this summer. I aspire to have the style of that Gucci one above.

Even the rooftop piece this year is pretty good, here’s a glimpse.

The Camp exhibit is on view until September 8th, while the rooftop one goes until October 27th.